Women in the Arts Show at Paper Birch Landing Gallery

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photograph Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history grade or spent fourth dimension in a fine arts museum, chances are you lot know a lot about the men who "defined" their mediums. As with other subjects, most of what we larn nearly art history today still centers on white men from Europe and, later, the United States. In reality, there are so many more artists of all genders to learn from and capeesh.

Hither, nosotros're specifically taking a expect at only some of the women who take had lasting impacts on their art forms. From some of the art world's most iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, however have a hand — in changing the world of fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than 30 years. Later studying the work of painters like Cézanne and Monet while abroad, she returned to the United states, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Picture show Stills (1977–eighty). serial. Photos Courtesy: Museum of Modern Fine art (MoMA)

Photographer Cindy Sherman was office of the Pictures Generation during the 1980s, and is perhaps virtually well known for her serial of Untitled Moving-picture show Stills (1977–eighty) — self-portraits in which Sherman "posed in the guises of various generic female moving picture characters, amongst them, ingénue, working girl, vamp, and solitary housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media'due south influence over our private and collective identities.

Yoko Ono

A still from the functioning Cut Piece, 1964, and a movie of the installation Half-A-Room, 1967, equally seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Mod Art (MoMA)

You might first think of Yoko Ono as a musician and activist, merely she's also an accomplished performance and conceptual artist. Ono was considered a pioneer in the performance art movement, earning the nickname the "High Priestess of the Happening".

One of her most revered works, Cut Slice, was a performance she first staged in Nihon; Ono sat on stage in a prissy suit and placed scissors in front end of her, and, in an act of daring vulnerability, invited audience members to come on stage and cut away pieces of her vesture. "Fine art is similar breathing for me," Ono has said. "If I don't exercise information technology, I start to choke."

Betye Saar

Betye Saar'south Blackness Girl's Window, 1969 (total and particular). Photos Courtesy: Museum of Mod Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective changed her unabridged career trajectory — and, in turn, part of the trajectory of art history.

Saar was part of the Blackness Arts Movement in the 1970s and, through painting and aggregation, critiqued institutionalized racism and the racist stereotypes white people held toward Blackness Americans. "To me the flim-flam is to seduce the viewer," Saar has said. "If yous can go the viewer to expect at a work of art, and then y'all might be able to give them some sort of message."

Frida Kahlo

People await at Frida Kahlo'south 1939 painting Las Dos Fridas at the World Forum of Civilization in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

Information technology's rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes like death and identity through her self-portraits. Kahlo often used bold, brilliant colors to create her symbol-rich works, and was regarded as 1 of the almost influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Backwash of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, simply she's too known for her hyper-real sculptures, polka dots, installations, and then much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Old First Lady Michelle Obama (L) and creative person Amy Sherald (R) unveil Mrs. Obama'south portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on Feb 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Blackness Americans, ofttimes doing everyday activities — something that became more common in portraiture writ big in the mid-19th century. Odds are that yous recognize Sherald's work — and her signature grayscale skin tones — as she was the get-go Black woman to consummate a presidential portrait for the Smithsonian'due south National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a piece of work from her series, Pelvis Series Red With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known equally the female parent of American modernism, y'all probable associate Georgia O'Keeffe with her paintings of New United mexican states's landscapes, flowers, skulls, and, but maybe, the skyscrapers of New York City. In the 1920s, she was the first adult female painter to proceeds the respect of the New York art world, all past painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Lion for all-time creative person in Okwui Enwezor's biennial exhibition All the World'south Futures, part of the 56th Venice Biennale in 2015. Photograph Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her piece of work to question society, identity, and racial politics past demanding the audience to confront truths about themselves. She often challenged people on the streets of New York to guess her race, socio-economic course, and gender — all while dressed as a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in forepart of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York Metropolis in 2014. Photo Courtesy: Cem Ozdel/Anadolu Bureau/Getty Images

Shirin Neshat left Iran in 1974 to report art in Los Angeles, California — earlier the Iran Islamic Revolution took identify. She is best known for her photography, flick, and video work, much of which explores the relationship between Islam's cultural and religious systems and women. Moreover, Neshat'due south works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photograph Courtesy: Marianne Barcellona/Getty Images

Equally a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertizing billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that human activity equally meditations on diverse concepts, such as trauma, knowledge, and hope. One of her more notable works, I Odor Yous On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Fine art Gallery of Ontario (Agone)

Much of Rebecca Belmore's art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Indigenous Due north American civilization. In 2005, she was the first Indigenous woman to stand for Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photograph Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — like the spider to a higher place — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a fourth dimension when brainchild and conceptual art were the main styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Little Gustatory modality Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by popular culture and popular art, Mickalene Thomas oft embellishes her paintings with rhinestones and uses colorful acrylic paints. In her piece of work, Thomas centers Black American women, whom she believes embody ability and femininity.

Judy Chicago

Judy Chicago'south seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was i of the major figures within the early on Feminist Art movement. As exemplified in her iconic work The Dinner Party, her installation pieces often examine the role of women in history and culture — in the 1970s and before. While at California State University in Fresno, Chicago founded the first feminist art program in the United States.

Augusta Vicious

Augusta Roughshod with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Athenaeum of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In improver to creating breathtaking sculptures, often of Black folks, Savage founded the Savage Studio of Craft in Harlem in 1932, and, a few years later on, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Fine art (MoMA)

Known for her provocative performance fine art practices, Carolee Schneemann is considered the progenitor of "body art". (Just expect up her well-nigh famous piece of work, Interior Curlicue, and you'll see what we hateful.) She used her body to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin'south work challenges traditional ability relations. In improver to documenting New York Urban center's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'southward Marilyn Monroe (1967) past Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you? Well, that'due south the idea! Elaine Sturtevant, who went past her last proper noun professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of large-proper noun artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of fine art culture.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based creative person, Asawa's last public commission was the Garden of Remembrance at San Francisco State Academy, which was created to recognize Japanese Americans who were interned during World War Two.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on Nov 8, 2007 in New York City. Photograph Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of nine. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a fashion that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

However from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Accolade from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global issues such equally racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who likewise specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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